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Collection: Philippe Starck
Brand: Cassina  
Specifications: Defined by Philippe Starck as "a lifestyle collection of relaxed elegance", Fenc-e Nature sees the designer continue on his joint mission with Cassina to revolutionise our concept of the classic sofa, using high-quality cutting-edge materials that respect the environment. The armchair has organic forms - like the die-cast aluminium base - and textural elements that celebrate its affinity with the environment, like the natural-looking solid teak armrest with sanded finish. The backrest, with frame in painted AISI 304 stainless steel, is available in hand-woven rope with an exclusive design or in natural untreated willow, used here for the first time. The outstanding comfort of the armchair is guaranteed by the generous seat and backrest cushions with padding in SoloSoff(C), a blown polyester fibre and memory foam-based product, and the reclining backrest that can be set in two different positions thanks to a manual mechanism inspired by Asian architecture: a supporting rod in solid teak, processed to look like a branch, held in place by two wooden nails. The collection is completed by a two- and three-seater sofa and a side table in two different heights.
Collection: Charlotte Perriand
Brand: Cassina  
Specifications: Charlotte Perriand traveled to Japan and, starting in 1940, lived there for a number of years. She embraced the opportunity to design furniture that expressed the kind of poetic tension between Rationalism and Nature that set her designs apart. Her 1940 Tokyo chaise longue is the product of that experience of a lifetime, influenced by her ongoing contact with Asian products. The original bamboo chaise longue makes a return debut in a 50-piece limited edition in teak. Produced in the historic Cassina joinery, it blends the innovative techniques of industrial design with artisan hand-craftsmanship. Topping it off is an elegant upholstered cushion and leather headrest bolster for even greater comfort.
Collection: Gaetano Pesce
Brand: Cassina  
Specifications: Produced by Cassina in both a metal and wood frame, with the same shape changing its personality, depending on which frame material used, the back and the seat always being leather. The simple geometry of the structure is warmer and closer to nature in the walnut or ashwood, and is thus ideal for the home environment. The chair’s lines become more slender and impactful in the cast aluminium option: here the ideal setting is the office or corporate space. The innovative approach used to assemble the leather sections reveals a clever configuration of cuts and folds that highlight the company’s crafts capabilities. The upholstery is an “envelope” into which slips the frame, no stitching in sight. Meticulous attention has been paid to the chair’s functional aspects, primarily through the use of a thermoformed plastic shell coupled with a thin layer of polyurethane. Meantime, the rounded seat enhances the feeling that Eve is a comfortable chair.
Collection: Marco Zanuso
Brand: Cassina  
Specifications: Antropus was created at the end of the 1940s when Marco Zanuso was commissioned to design the sets for the Italian-language version of Thornton Wilder's play The Skin of Our Teeth, which was dubbed "La Famiglia Antropus" in Italian, and was performed at the Piccolo Teatro in Milan. The architect worked with Arflex to produce an armchair fully upholstered in foam rubber; at the time, this material was considered highly innovative and was being promoted for use in domestic furniture-making for its expressive, and industrial ergonomic potential. The present-day version of this chair features polyurethane foam CFC free. This lends itself to creating a oversized and comfortable seat and back-rest that fit snugly into the slender, curving profile of the side panels. Cassina is making this model available in the original iconic red fabric upholstery.
Collection: Paolo Deganello
Brand: Cassina  
Specifications: The AEO chair was the last product from the Archizoom group, and was designed by Paolo Deganello in 1973 as an unconventional interpretation of a contemporary armchair. Using experimental materials, the piece was originally available for self-assembly. A wide array of upholstery options were on offer, which enhanced the chair’s potential for personalisation. The quintessence of functionality and versatility, AEO is thus typical of a Cassina piece, since it can be taken apart and washed, while being light and comfortable, the perfect partner for any space and style.
Collection: Gerrit Thomas Rietveld
Brand: Cassina  
Specifications: A sculptural seat with a pure and rationalist form, this chair became an authentic Manifesto for Neoplasticism, embraced by the Dutch De Stijl movement in 1917. An outlook shared by Piet Mondrian, whose objective was to seek out the essential nature of things, combined with the harmonious equivalence of colours, and the use of right-angle. Rietveld produced his first prototypes in 1918, expressing the philosophy of organising space using the same colours for similar components. He later applied this same approach to separate out constructional elements according to their function. Thus the base was black, and the seats coloured. As a consequence, the name of the piece changed, from Slat Chair to Red and Blue.
Collection: Gerrit Thomas Rietveld
Brand: Cassina  
Specifications: The Black Red and Blue (Zeilmaker version) born from Rietveld’s chromatic experimentation. While researching the origins of the Red and Blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organisation expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood. In the following years Rietveld proposed various examples, either monochrome or painted in different colours, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest. It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colours on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed Slat chair, Rietveld only gave it the name Red and Blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract- realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the Black Red and Blue today.
Collection: Jean Marie Massaud
Brand: Cassina  
Specifications: In designing Auckland, Jean Marie Massaud undertakes a restatement, in a contemporary key, of the classic lounge chair, which serves to reconfirm the original looks and comfort of this timeless classic. The seat of this swivel chair, available in black or white with optional foot-rest, is characterised by the seat’s shell-shaped structure, left deliberately exposed to evoke the armour worn by Kendo fighters. The shell protects the upholstered parts of the chair and is linked to the four-spoked base by a cantilevered metal support. This unusual arrangement confers a very faint, yet pleasurable, oscillating movement. The chair is complemented by a head-rest adjustable to eight height-options.
Collection: Piero Lissoni
Brand: Cassina  
Specifications: Piero Lissoni with S. Sook Kim. This system is marked by elegance, comfort and a wide range of combinations allowing for great flexibility. Its geometric and formal design reveals surprising warmth in its ease of use and perfect functionality, thanks to the many possible versions: from the traditional sofa, to corner arrangements for pleasant and private conversations among friends, to the chaise longue for moments of relaxation. Simple, clean and inviting volumes convey the ease with which they can co- exist with those who use them.
Collection: Vico Magistretti
Brand: Cassina  
Specifications: Maralunga is an emblematic armchair of the iContemporanei collection by Cassina, the work of architect and industrial designer Vico Magistretti. Winner of the Compasso d’Oro in 1979, Maralunga is the embodiment of the very idea of comfort, with an adjustable headrest for a high or low backrest version obtained by inserting a simple bicycle chain inside the foam of the backrest. The model comes as an armchair, two- or three-seater sofas in diff erent widths, and pouf. To mark its 40th anniversary, Cassina presents a new interpretation with fabric or leather upholstery and distinctive profi le stitching, to make it even more modern and contemporary, also available with removable cover.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina  
Specifications: A lightweight, compact chair, designed in 1928 and introduced in 1929 at the Salon d’Automne [Autumn Salon], along with other extraordinary pieces, such as the Fauteuil Grand Confort, petit modèle and grand modèle, the Table Tube d’Avion table and the Chaise Longue à reglage continu. Like the other pieces in the collection, the Fauteuil à dossier basculant armchair is the result of in-depth study of human posture and, in this case, is specifically engineered to provide perfect support for easy-going relaxation that is conducive to conversation. Its elegant simplicity of design allows the armchair to fit easily in various settings. It is also available in the 1928 Villa Church version and the 1930 version crafted for the French Union of Modern Artists exhibition.
Collection: Bodil Kjaer
Brand: Cassina  
Specifications: From the post-war period, Bodil Kjær opened up her home to a fresh new camaraderie encouraged by versatile furniture that translated the new domestic routines and a renewed need for comfort into tangible designs. Internationally known Danish architect, Bodil Kjær starts with a concept that acknowledges the user’s active contribution and their actual needs. This approach led, in 1955, to the High Back Chair, an armchair designed for pure comfort that encourages relaxing in front of the color TV (invented around that time) but, in the version with armrests, is also ideal for reading. Bodil Kjær placed a special focus on ergonomics: with a padded seat and angled lines that invite unexpected relaxation, the armchair took inspiration from Swedish research of the day on comfort in a world in rapid, ongoing transformation. Padding is in polyurethane foam and recycled PET fiber recovered from Plastic Bank®.
Collection: Philippe Starck
Brand: Cassina  
Specifications: Volage EX-S Night is the armchair designed by Philippe Starck for the concept that transforms the bedroom into an island of wellbeing waiting to be explored, enhanced by the furnishings of a suite. The armchair seat and backrest are padded with recycled PET fiber, or with a feather-filled cushion; both options ensure total comfort.
Collection: Patrick Norguet
Brand: Cassina  
Specifications: A lounge chair of timeless beauty that, as the designer explains, respects classic traditions, but with a contemporary twist. Cassina’s signature structure: a metal frame set within a polyurethane-injected foam shell, turns the padding into a major player, conjuring an inviting and extremely comfortable mood. The aluminium or solid wood base, and all-wood joints, are an expression of the quality and refinement of Cassina carpentry, while the wide array of finishes complete the picture in fine style. Available with or without the “wing” head-rest, this chair is supplied in a wide array of upholstery options, with zippers to make them removable.
Collection: Philippe Starck
Brand: Cassina  
Specifications: Complex and formal in its design, the Privé collection perfectly combines style and transgression, merging to create an appealing mix of classicism, provocation and playfulness. The collection is made up of diff erent models - different sized armchairs, sofas and islands - and uses upholstery exclusively in capitonné leather, for which Cassina has developed a new technique for attaching the characteristic leather buttons. This internationally patented system provides quality and durability. Privé is suitable for simple interiors, though it can easily blend into contemporary and informal settings.
Collection: Gerrit Thomas Rietveld
Brand: Cassina  
Specifications: Cassina offers a new reinterpretation of the iconic model dated 1935: an anthropometric response to the increasing sizes of modern generations. Armchair with main frame, seat and backrest in poplar plywood and fir solid wood. Massive poplar wood armrests. Polyurethane foam and polyester padding. Not removable upholstery: fabric or leather with blanket fine stitching in natural colour. Feet in black plastic material.
Collection: Hommage À Pierre Jeanneret
Brand: Cassina  
Specifications: Included in Unesco's 2016 Cultural Heritage list, the extraordinary architecture of Le Corbusier’s Capitol Complex, designed by Chandigarh in 1951, has received accolades for its celebration of an independent nation open to modernity. The Haute Cour, along with the Secretariat and the Assemblée wing, make up the core of Chandigarh’s Capitol Complex. The rooms were filled with overstuffed armchairs, all exhibiting the same “V” support structure theme. The only exposed wooden parts are the rests, connecting crossbars, and the external joints between the arms and the backrest. The armrests’ padding almost completely envelops them, creating the outline of a rounded, geometric shape, that along with the distinct seat and back cushioning, offer an immediate sense of comfort without abandoning their elegance and simplicity. Cassina’s reissue offers the classic version in teak, and two versions in natural and stained black oak.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina  
Specifications: A timeless style that has written its own chapter in design history, becoming an icon of global fame. Designed for ease of conversation, the armchair was exhibited at the Salon d’Automne [Autumn Salon] in Paris in 1929 as the archetype of the modern concept of furnishings, interpreted by its authors as “household equipment”. The separation between the metal structure and the cushions is consistent with the principles of Rationalism, just as the separation between the parts is based on an industrial approach to production, reminiscent of the architectural relationship between the loadbearing structure and the in-fill elements. These models are also available in an eco-friendly version that stays true to the original design. Thanks to the study conducted by Cassina LAB, a partnership between the Cassina Research and Development Center and the Poli.design consortium of the Politecnico University in Milan, the foam-fill parts, the padding in the cushions and the tubular structure are produced with sustainable materials and processes.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina  
Specifications: With the various models of Fauteuil Grand Confort, grand modèle, the concept of modernity is expressed through the separation between the metal support frame and the upholstered elements. The loose cushions are set inside a painted or chrome-plated tubular steel cage that forms the primary support for the piece in all its variations ‒ from the armchair with armrest on one or both sides, to the two- and three-seat sofas. Over the years, Cassina has worked very closely with Charlotte Perriand, her daughter Pernette and the Fondation Le Corbusier to introduce new versions and finishes that, while reinterpreting the original design, remain faithful to its authentic nature. These models are also available in an eco-friendly version. Thanks to a study conducted by Cassina LAB, a partnership between the Cassina Research and Development Center and the Poli.design consortium of the Politecnico University in Milan, the foam-fill parts, the padding in the cushions and the tubular structure are produced with sustainable materials and processes.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina  
Specifications: Among the all-time Cassina best-sellers, the Chaise longue à reglage continu is the quintessential chaise longue. Designed in 1928, it was based on a study of restful seating and epitomizes the concept of relaxation. It demonstrates the desire of the three authors to place the individual at the centre of their design project, expressing the absolute dovetailing of form and function by achieving the perfect balance between design purity and user comfort. The recliner’s stability, at any angle of inclination, is ensured through friction with the rubber tubes that sheathe the crosspieces on the base. This model has now been brought back in an all-black version, with black structure, recliner and upholstery.
Collection: Marco Zanuso
Brand: Cassina  
Specifications: An armchair with a striking, rigorous design, the outcome of research by Marco Zanuso on how to anchor a seat on a wood frame. Zanuso started work on this chair with his entry in an international design competition organised by the Museum of Modern Art in New York in 1949. He returned to it in 1964, harnessing Arflex’s advanced technology. The wood frame is based on the geometry of the circle, which provides the chair's elegant formal aesthetic. Available in an iconic edition with a clear- varnished walnut frame, with the back panel in beige saddle leather, and the cushions in tobacco coloured leather.
Collection: Charlotte Perriand
Brand: Cassina  
Specifications: Charlotte Perriand designed Ombra in 1953, taking as her reference her Ombra Tokyo, which was created round about the same time and featured curved plywood. The interplay between the object and its shadow (“ombra” in Italian) expresses Perriand’s aesthetic, where function is maximised while structure is minimised to conjure a design that is both highly inventive and exquisitely elegant. The strict geometric lines of the seat and back-rest slot perfectly one into the other, making them look as if they are one, continuous, piece. Perriand’s minimalist approach and artistic vigour are manifest in her drive for total comfort, in a piece that has been re-issued by Cassina in full respect of the original concept.
Collection: Toshiyuki Kita
Brand: Cassina  
Specifications: Ergonomically correct and exquisitely versatile, Cassina’s Wink armchair cleverly unfolds into a chaise-longue. “Sitting on Wink means sitting on the floor and, when you are seated there, according to oriental tradition, your spirit rises,” explains designer Toshiyuki Kita. Its proportions of-the- moment, Wink has a multi-functional mission with a pop look, and can be personalised in either leather, or in an ample array of fabrics and colours, with more added regularly. The back, and head-rest can be adjusted by means of the handles on the side, these being available in a range of shades to match the front and back legs.
Collection: Ico Parisi
Brand: Cassina  
Specifications: Designed by Ico Parisi in 1960 for Cassina, at that time “Figli di Amedeo Cassina”, the 875 is a welcoming and elegant armchair. The author’s typical experimentation has led to a project that is both classic and modern at the same time. Its proportions, with its large seat and comfortable armrests, outline its solemn profile, while the original arched steel supports in different finishes - to which its shell is bound - and the contrast of different ma-terials make it eclectic, innovative and functional in any room of the house. The structure of the armchair, initially padded with foam rubber cut into sharp edges, has now been re-issued with polyurethane foam padding to maintain its linear shape. Both the seat and backrest are upholstered in fabric from the Cassina collections, as are the removable cushions.
Collection: Mario Bellini
Brand: Cassina  
Specifications: Roomy and inviting, Cab Lounge is a restatement of the Cab chair concept. Nothing short of a masterpiece of craftsmanship, the Cab Lounge armchair is perfectly suited to both residential or contract use. The leather upholstery fits the tubular steel frame like an exquisitely tailored garment, complementing the curves, in a perfect symbiosis between the structural and the organic. The eleven leather sections, hand-stitched and fitted with four zipper closures, undergo fourteen hand-executed processes before they are complete. Fitted with a reclining mechanism, the five-spoke base sets off the entire chair, while the ergonomically correct design renders it extraordinarily comfortable; the care taken in the details is without equal.
Collection: Toshiyuki Kita
Brand: Cassina  
Specifications: An armchair that anticipates modern times: flexible, transformable and suitable for different needs. The swivel seat on a fixed base is characterized by multiple inclinations until it extends almost completely to be used as a bed. Personalized with a fixed cover in leather or fabric, it is completed with any fabric cushions that enhance the feeling of comfort and softness.
Collection: Hommage À Pierre Jeanneret
Brand: Cassina  
Specifications: Cassina continues its study of the furniture of the city of Chandigarh and adds the Kanga-roo low armchair to the Hommage à Pierre Jeanneret Collection; a collection that stands out for its essential forms and simple materials, a balance between modern European ide-als and traditional Indian spirit. This low chair, made for the city’s General Hospital Hall but also present in many private houses, is characterised by the "Z" shape of its sides, made up of a sequence of three vaguely triangular coplanar elements placed in continuity. The seat and backrest feature typical weaving inside the wooden frame, for which, in addition to the historic teak version, the Cassina Research and Development Centre offers two fur-ther variants, in natural oak and stained black oak, produced in the company’s historic car-pentry workshop. An optional cushion is available for added protection and comfort.
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Usman Ahmad
Usman Ahmad
5 months ago
5⭐️
I have exclusively worked with Lineaselect for my house renovation project. I have bought ceramic tiles and other bathroom fittings from them at a very good price. As with any house renovation project, the choice of good material makes all the difference. I started communicating with Jaunius with a simple price offer which evolved into more like continuous communication on range of different products. He was always very responsive and precise with the information and his brand knowledge is impressive. From the selection to delivery, the whole process was super smooth and transparent. I was a bit unsure about damages during the shipping, however, my order arrived without a single damaged item. Asite from Lineaselect handled the ordering and delivery process very professionally and she was always quick with updating me about the order and delivery status. They are my go to people for any future home improvement projects and I highly recommend them!
Michele Fiascaris
Michele Fiascaris
a year ago
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Great experience! Marazzi tiles are fantastic and the price was very reasonable. Much lower than buying in UK. Jaunius & team were very efficient and helpful!
Clément Houles
Clément Houles
6 months ago
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Paweł Jakubowski
Paweł Jakubowski
4 months ago
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Deividas Petuska
Deividas Petuska
a year ago
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I ordered tiles from this company, and I must say, their delivery service wasexceptional. The tiles were delivered promptly and in perfect condition. The packaging was secure, ensuring that the tiles remained intact during transit.
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