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Le Corbusier, Pierre Jeanneret, Charlotte Perriand by Cassina
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Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
Cassina launches an exclusive range of miniature versions of some of the icons from the Collection Le Corbusier®, Pierre Jeanneret®, Charlotte Perriand®. Four chairs scaled 1:6, with the same new and authentic colours and the same soft and stiff leathers used for the models scaled 1:1; and as such aligning with the research conducted on the collection in collaboration with the Fondation Le Corbusier and the heirs of the co- authors. An ambitious project of precision and attention to detail executed by Italian craftsmen: a veritable miniaturisation of the Cassina originals.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
Comfortable, contemporary lines set apart this sofa designed by Le Corbusier for his Paris apartment, where the original model is still preserved, and that inspired the lengthy re-edition process carried out by Cassina. In 1974, Charlotte Perriand collaborated in the first reworking of the original, in one size only, with chrome finish. Over the years, the finishes have been expanded and the sizes modified. The comfortable, elegant structure is dominated by the feather-filled cushions that form the backrest and seat, supported by an instantly recognizable metal base available in the seven collection colours. The current two- or three-seat edition comes with leather or fabric upholstery. This model is part of the Le Corbusier®, Pierre Jeanneret®, Charlotte Perriand® Collection.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
A timeless style that has written its own chapter in design history, becoming an icon of global fame. Designed for ease of conversation, the armchair was exhibited at the Salon d’Automne [Autumn Salon] in Paris in 1929 as the archetype of the modern concept of furnishings, interpreted by its authors as “household equipment”. The separation between the metal structure and the cushions is consistent with the principles of Rationalism, just as the separation between the parts is based on an industrial approach to production, reminiscent of the architectural relationship between the loadbearing structure and the in-fill elements. These models are also available in an eco-friendly version that stays true to the original design. Thanks to the study conducted by Cassina LAB, a partnership between the Cassina Research and Development Center and the Poli.design consortium of the Politecnico University in Milan, the foam-fill parts, the padding in the cushions and the tubular structure are produced with sustainable materials and processes.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
With the various models of Fauteuil Grand Confort, grand modèle, the concept of modernity is expressed through the separation between the metal support frame and the upholstered elements. The loose cushions are set inside a painted or chrome-plated tubular steel cage that forms the primary support for the piece in all its variations ‒ from the armchair with armrest on one or both sides, to the two- and three-seat sofas. Over the years, Cassina has worked very closely with Charlotte Perriand, her daughter Pernette and the Fondation Le Corbusier to introduce new versions and finishes that, while reinterpreting the original design, remain faithful to its authentic nature. These models are also available in an eco-friendly version. Thanks to a study conducted by Cassina LAB, a partnership between the Cassina Research and Development Center and the Poli.design consortium of the Politecnico University in Milan, the foam-fill parts, the padding in the cushions and the tubular structure are produced with sustainable materials and processes.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
Among the all-time Cassina best-sellers, the Chaise longue à reglage continu is the quintessential chaise longue. Designed in 1928, it was based on a study of restful seating and epitomizes the concept of relaxation. It demonstrates the desire of the three authors to place the individual at the centre of their design project, expressing the absolute dovetailing of form and function by achieving the perfect balance between design purity and user comfort. The recliner’s stability, at any angle of inclination, is ensured through friction with the rubber tubes that sheathe the crosspieces on the base. This model has now been brought back in an all-black version, with black structure, recliner and upholstery.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
A lightweight, compact chair, designed in 1928 and introduced in 1929 at the Salon d’Automne [Autumn Salon], along with other extraordinary pieces, such as the Fauteuil Grand Confort, petit modèle and grand modèle, the Table Tube d’Avion table and the Chaise Longue à reglage continu. Like the other pieces in the collection, the Fauteuil à dossier basculant armchair is the result of in-depth study of human posture and, in this case, is specifically engineered to provide perfect support for easy-going relaxation that is conducive to conversation. Its elegant simplicity of design allows the armchair to fit easily in various settings. It is also available in the 1928 Villa Church version and the 1930 version crafted for the French Union of Modern Artists exhibition.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
A timeless style that has written its own chapter in design history, becoming an icon of global fame. Designed for ease of conversation, the armchair was exhibited at the Salon d’Automne [Autumn Salon] in Paris in 1929 as the archetype of the modern concept of furnishings, interpreted by its authors as “household equipment”. The separation between the metal structure and the cushions is consistent with the principles of Rationalism, just as the separation between the parts is based on an industrial approach to production, reminiscent of the architectural relationship between the loadbearing structure and the in-fill elements. These models are also available in an eco-friendly version that stays true to the original design. Thanks to the study conducted by Cassina LAB, a partnership between the Cassina Research and Development Center and the Poli.design consortium of the Politecnico University in Milan, the foam-fill parts, the padding in the cushions and the tubular structure are produced with sustainable materials and processes.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
With the various models of Fauteuil Grand Confort, grand modèle, the concept of modernity is expressed through the separation between the metal support frame and the upholstered elements. The loose cushions are set inside a painted or chrome-plated tubular steel cage that forms the primary support for the piece in all its variations ‒ from the armchair with armrest on one or both sides, to the two- and three-seat sofas. Over the years, Cassina has worked very closely with Charlotte Perriand, her daughter Pernette and the Fondation Le Corbusier to introduce new versions and finishes that, while reinterpreting the original design, remain faithful to its authentic nature. These models are also available in an eco-friendly version. Thanks to a study conducted by Cassina LAB, a partnership between the Cassina Research and Development Center and the Poli.design consortium of the Politecnico University in Milan, the foam-fill parts, the padding in the cushions and the tubular structure are produced with sustainable materials and processes.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
Among the all-time Cassina best-sellers, the Chaise longue à reglage continu is the quintessential chaise longue. Designed in 1928, it was based on a study of restful seating and epitomizes the concept of relaxation. It demonstrates the desire of the three authors to place the individual at the centre of their design project, expressing the absolute dovetailing of form and function by achieving the perfect balance between design purity and user comfort. The recliner’s stability, at any angle of inclination, is ensured through friction with the rubber tubes that sheathe the crosspieces on the base. This model has now been brought back in an all-black version, with black structure, recliner and upholstery.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
A timeless style that has written its own chapter in design history, becoming an icon of global fame. Designed for ease of conversation, the armchair was exhibited at the Salon d’Automne [Autumn Salon] in Paris in 1929 as the archetype of the modern concept of furnishings, interpreted by its authors as “household equipment”. The separation between the metal structure and the cushions is consistent with the principles of Rationalism, just as the separation between the parts is based on an industrial approach to production, reminiscent of the architectural relationship between the loadbearing structure and the in-fill elements. These models are also available in an eco-friendly version that stays true to the original design. Thanks to the study conducted by Cassina LAB, a partnership between the Cassina Research and Development Center and the Poli.design consortium of the Politecnico University in Milan, the foam-fill parts, the padding in the cushions and the tubular structure are produced with sustainable materials and processes.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
With the various models of Fauteuil Grand Confort, grand modèle, the concept of modernity is expressed through the separation between the metal support frame and the upholstered elements. The loose cushions are set inside a painted or chrome-plated tubular steel cage that forms the primary support for the piece in all its variations ‒ from the armchair with armrest on one or both sides, to the two- and three-seat sofas. Over the years, Cassina has worked very closely with Charlotte Perriand, her daughter Pernette and the Fondation Le Corbusier to introduce new versions and finishes that, while reinterpreting the original design, remain faithful to its authentic nature. These models are also available in an eco-friendly version. Thanks to a study conducted by Cassina LAB, a partnership between the Cassina Research and Development Center and the Poli.design consortium of the Politecnico University in Milan, the foam-fill parts, the padding in the cushions and the tubular structure are produced with sustainable materials and processes.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
The Tabouret tournant stool is a version of the swivel armchair designed in 1927 by Charlotte Perriand for her atelier and was also part of the group of furnishings exhibited at the Salon d’Automne [Autumn Salon] in 1929. Part of the Le Corbusier®, Pierre Jeanneret®, Charlotte Perriand® Collection, its iconic shape and versatility reflect the desire to simplify mass production by employing common elements. The trivalent chrome-plated steel structure with polished or painted finish is padded with polyester batting and CFC-free polyurethane foam fill, with leather or fabric upholstery. The stool was awarded Catas certifications, thanks to structural updating by Cassina in 2016.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
An icon with an aptitude for versatility and functionality designed in 1927 by Charlotte Perriand for her Paris atelier in Place Saint-Sulpice. The design was first exhibited at the Salon des Artistes Décorateurs [Decorative Artists Show] in 1928 and then at the Salon d'Automne [Autumn Salon] in 1929, and is now part of the Le Corbusier®, Pierre Jeanneret®, Charlotte Perriand® Collection. The swivel armchair features backrest and seat cushion padded in polyurethane foam and polyester batting, with leather or fabric upholstery. Since 2016, the armchair has undergone a major structural update that led to its being awarded Catas certifications.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
This version of the armchair was designed in 1928 for the Villa Church at Ville-d’Avray. Its padded and upholstered seat and backrest were fashioned to meet the customer’s demand for extreme comfort. A similar padded and upholstered model was also crafted in 1928 for the art gallery of collector Raoul La Roche.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
This version of the Fauteuil à dossier basculant debuted at the first French Union of Modern Artists exhibition in 1930 and demonstrated how the furniture, displayed the previous year at the Salon d’Automne [Autumn Salon], could be produced with a greater variety of upholstery options. In this case, a saddlery detail that in the 1930s had already inspired many high-fashion collections.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
The Casiers Standard formed part of a project for residential furniture by Le Corbusier and Pierre Jeanneret for the Pavillon de l’Esprit Nouveau at the Paris Exposition des Arts Décoratifs in 1925. Here, the cousins Jeanneret went beyond the traditional concept of furniture, introducing these modular storage units, alongside a number of other movable pieces. Unique and timeless, conceived to confer an architectural look to their environment, these units could accommodate a wide array of objects in a particular context, even going so far as to create partition walls. The Casiers Standard were relaunched in 2016, with a more contemporary look. Enhanced so as to be more versatile and functional than ever before, they are available in eighteen fixed compositions. These are based on a 75 x 75 x 37.5cm module that contains shelves, each of these featuring five height options; legs are supplied in two versions: four slim-line chromed pilotis, or two painted round pedestal bases.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
Le Corbusier, Charlotte Perriand and Pierre Jeanneret exhibited the first version of this table in 1929 at the Salon d’Automne [Autumn Salon] in Paris as part of the “Équipement Intérieur d’une Habitation” [Interior Home Furnishings] stand. The table, in its original size, which was originally presented as a writing desk, was revisited by Perriand in 1984, and relaunched by Cassina one year later, offering new features to keep pace with contemporary needs. The minimalist design of the frame is revealed in the uniqueness of the chrome finish on the tubular steel uprights and the coloured lacquer finish on the crosspieces. The series includes tables and low tables, in square and rectangular formats, with top in clear, textured or tinted thermoformed glass and painted trim in the various shades of the Le Corbusier colour palette.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
Cassina put this model with a wood top into production in 1985, following an adaptation by Charlotte Perriand of the 1934 table designed by Le Corbusier, Pierre Jeanneret and Charlotte Perriand for the Paris apartment of Le Corbusier. The elegant, eye-catching table is defined by grey cast iron pedestal bases with broad, stable, circular feet and sleek uprights. Resting upon this support structure is a solid walnut top with natural finish. Its sculptural impact makes this an iconic, versatile piece of furniture, equally appropriate in classic and modern settings.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
The core concept for the Table tube d’avion table, introduced in 1929 at the Salon d’Automne [Autumn Salon], lies in the distinction between the support piece and the piece being supported; in other words, between the base and the top. The separation of the two parts is highlighted by the four intermediate supports that serve both as level adjusters and as spacers between the mass of the support and the slender lines of the top. Specifically, the base was designed in 1928, taking its cue from the oval profiles used in the aeronautical sector to separate the wings of biplanes. The current model has a steel base painted in the Le Corbusier palette of colours, while the top comes in glass, textured glass, wood or in luxurious white Carrara or black Marquina marble.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
A stool whose architectural shape faithfully reflects the author’s love of conceptual harmony. The first version was designed by Perriand in 1927 for the dining room of her Paris atelier, and was crafted with structure in tubular metal, paired with a woven rattan seat. The current model features a trivalent chrome-plated steel structure that can be personalized with various upholstery options, including cowhide and classic rattan.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
Le Corbusier, Charlotte Perriand and Pierre Jeanneret exhibited the first version of this table in 1929 at the Salon d’Automne [Autumn Salon] in Paris as part of the “Équipement Intérieur d’une Habitation” [Interior Home Furnishings] stand. The table, in its original size, which was originally presented as a writing desk, was revisited by Perriand in 1984, and relaunched by Cassina one year later, offering new features to keep pace with contemporary needs. The minimalist design of the frame is revealed in the uniqueness of the chrome finish on the tubular steel uprights and the coloured lacquer finish on the crosspieces. The series includes tables and low tables, in square and rectangular formats, with top in clear, textured or tinted thermoformed glass and painted trim in the various shades of the Le Corbusier colour palette.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
An icon with an aptitude for versatility and functionality designed in 1927 by Charlotte Perriand for her Paris atelier in Place Saint-Sulpice. The design was first exhibited at the Salon des Artistes Décorateurs [Decorative Artists Show] in 1928 and then at the Salon d'Automne [Autumn Salon] in 1929, and is now part of the Le Corbusier®, Pierre Jeanneret®, Charlotte Perriand® Collection. The swivel armchair features backrest and seat cushion padded in polyurethane foam and polyester batting, with fabric upholstery. The outdoor version is made of stainless steel with special textured powder-coat finish specifically for outdoor use, in five colours, and outdoor polyester fabric upholstery that echoes the same aesthetics as the indoor models. Since 2016, the armchair has undergone a major structural update that led to its being awarded Catas certifications.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
Le Corbusier, Charlotte Perriand and Pierre Jeanneret exhibited the first version of this table at the 1929 Salon d’Automne in Paris, as part of the “Equipement Intérieur d’une Habitation” setting. The design, which was originally presented as a writing-desk, was revisited by Perriand in 1984, and relaunched Cassina one year later, with new variants appropriate to contemporary needs. Its clean-cut frame highlights the highly original approach to the chrome finish of the tubular steel legs, and the way the colours are applied on the laminated trim. The collection includes a dining table as well as low tables, both in a square and rectangular formats. The coloured trim is supplied in a variety of shades from the Corbusier palette. Outdoor versions are also available, exclusively for the low tables (120X80 cm and 70x70 cm), with a structure in stainless steel finished with powder paints designed for outdoor use and available in five textured colours.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
The core concept for the Table tube d’avion table, introduced in 1929 at the Salon d’Automne, lies in the distinction between the support piece and the piece being supported; in other words, between the base and the top. The separation of the two parts is highlighted by the four intermediate supports that serve both as level adjusters and as spacers between the mass of the support and the slender lines of the top. Specifically, the base was designed in 1928, taking its cue from the oval profiles used in the aeronautical sector to separate the wings of biplanes. The current model also comes in an outdoor version with stainless-steel structure and textured powder-coat finish specifically for outdoor use, in five colours.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
A lightweight, compact chair, designed in 1928 and introduced in 1929 at the Salon d’Automne [Autumn Salon], along with other extraordinary pieces, such as the Fauteuil Grand Confort, petit modèle and grand modèle, the Table Tube d’Avion table and the Chaise Longue à reglage continu. Like the other pieces in the collection, the Fauteuil à dossier basculant armchair is the result of in-depth study of human posture and, in this case, is specifically engineered to provide perfect support for easy-going relaxation that is conducive to conversation. Its elegant simplicity of design allows the armchair to fit easily in various settings. Now, it also comes in an outdoor version with a special textured paint finish in five colours and with its own dedicated upholstery collection.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
In the various models of Fauteuil Grand Confort, grand modèle, the concept of modernity is expressed through the separation between the metal support frame and the upholstered elements. The loose cushions are set inside a painted or chrome-plated tubular steel cage that forms the primary support for the piece in all its variations ‒ from the armchair with armrest on one or both sides, to the two- and three-seat sofas. Over the years, Cassina has worked closely with Charlotte Perriand, her daughter Pernette and the Fondation Le Corbusier to introduce new versions and finishes that, while reinterpreting the original design, remain faithful to its authentic nature. This includes the outdoor versions, with structure in stainless steel and a special textured paint finish available in five colours. The cushions are upholstered in water-repellent fabric to ensure maximum durability and reliability in all weather conditions.
In 1922, Le Corbusier began working in the new rue de Sèvres, Paris, atelier with his cousin Pierre Jeanneret with whom he shared research projects and design criteria in a profound and life-long professional relationship.In October 1927, the pair decided to draw on the contribution of a young architect who had already begun to establish a reputation on the architectural scene of the time: Charlotte Perriand. Their collaboration lasted through to 1937 and was extremely fruitful, especially in the field of furniture design. The partnership was highly significant, both in terms of the cultural weight of their achievements and their professional successes.It was together with Charlotte Perriand that the pair tackled the innovative project for “l’équipement d'intérieur de l’habitation”. The resulting designs were of great intellectual value and considerable commercial success. Thanks to Cassina’s ongoing production, there is continued interest in the conceptual contents of the work and the level of quality attained.Due to these characteristics, each item in the collection is eagerly awaited.
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Based on 25 reviews
5 months ago
I have exclusively worked with Lineaselect for my house renovation project. I have bought ceramic tiles and other bathroom fittings from them at a very good price. As with any house renovation project, the choice of good material makes all the difference. I started communicating with Jaunius with a simple price offer which evolved into more like continuous communication on range of different products.
He was always very responsive and precise with the information and his brand knowledge is impressive. From the selection to delivery, the whole process was super smooth and transparent. I was a bit unsure about damages during the shipping, however, my order arrived without a single damaged item. Asite from Lineaselect handled the ordering and delivery process very professionally and she was always quick with updating me about the order and delivery status.
They are my go to people for any future home improvement projects and I highly recommend them!
a year ago
Great experience! Marazzi tiles are fantastic and the price was very reasonable. Much lower than buying in UK. Jaunius & team were very efficient and helpful!
6 months ago
Got delivered tiles to south of France. Just amazed but their client service! Delivery was done exactly has discussed and was a bit faster.
4 months ago
Great customer contact and service. I can't imagine the purchase could have gone any better :)
a year ago
I ordered tiles from this company, and I must say, their delivery service wasexceptional. The tiles were delivered promptly and in perfect condition. The packaging was secure, ensuring that the tiles remained intact during transit.