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Armchairs
314 results
Collection: Gerrit Thomas Rietveld
Brand: Cassina
Specifications:
Cassina offers a new reinterpretation of the iconic model dated 1935: an anthropometric response to the increasing sizes of modern generations. Armchair with main frame, seat and backrest in poplar plywood and fir solid wood. Massive poplar wood armrests. Polyurethane foam and polyester padding. Not removable upholstery: fabric or leather with blanket fine stitching in natural colour. Feet in black plastic material.
Collection: Hommage À Pierre Jeanneret
Brand: Cassina
Specifications:
Included in Unesco's 2016 Cultural Heritage list, the extraordinary architecture of Le Corbusier’s Capitol Complex, designed by Chandigarh in 1951, has received accolades for its celebration of an independent nation open to modernity. The Haute Cour, along with the Secretariat and the Assemblée wing, make up the core of Chandigarh’s Capitol Complex. The rooms were filled with overstuffed armchairs, all exhibiting the same “V” support structure theme. The only exposed wooden parts are the rests, connecting crossbars, and the external joints between the arms and the backrest. The armrests’ padding almost completely envelops them, creating the outline of a rounded, geometric shape, that along with the distinct seat and back cushioning, offer an immediate sense of comfort without abandoning their elegance and simplicity. Cassina’s reissue offers the classic version in teak, and two versions in natural and stained black oak.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
A timeless style that has written its own chapter in design history, becoming an icon of global fame. Designed for ease of conversation, the armchair was exhibited at the Salon d’Automne [Autumn Salon] in Paris in 1929 as the archetype of the modern concept of furnishings, interpreted by its authors as “household equipment”. The separation between the metal structure and the cushions is consistent with the principles of Rationalism, just as the separation between the parts is based on an industrial approach to production, reminiscent of the architectural relationship between the loadbearing structure and the in-fill elements. These models are also available in an eco-friendly version that stays true to the original design. Thanks to the study conducted by Cassina LAB, a partnership between the Cassina Research and Development Center and the Poli.design consortium of the Politecnico University in Milan, the foam-fill parts, the padding in the cushions and the tubular structure are produced with sustainable materials and processes.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
With the various models of Fauteuil Grand Confort, grand modèle, the concept of modernity is expressed through the separation between the metal support frame and the upholstered elements. The loose cushions are set inside a painted or chrome-plated tubular steel cage that forms the primary support for the piece in all its variations ‒ from the armchair with armrest on one or both sides, to the two- and three-seat sofas. Over the years, Cassina has worked very closely with Charlotte Perriand, her daughter Pernette and the Fondation Le Corbusier to introduce new versions and finishes that, while reinterpreting the original design, remain faithful to its authentic nature. These models are also available in an eco-friendly version. Thanks to a study conducted by Cassina LAB, a partnership between the Cassina Research and Development Center and the Poli.design consortium of the Politecnico University in Milan, the foam-fill parts, the padding in the cushions and the tubular structure are produced with sustainable materials and processes.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
Among the all-time Cassina best-sellers, the Chaise longue à reglage continu is the quintessential chaise longue. Designed in 1928, it was based on a study of restful seating and epitomizes the concept of relaxation. It demonstrates the desire of the three authors to place the individual at the centre of their design project, expressing the absolute dovetailing of form and function by achieving the perfect balance between design purity and user comfort. The recliner’s stability, at any angle of inclination, is ensured through friction with the rubber tubes that sheathe the crosspieces on the base. This model has now been brought back in an all-black version, with black structure, recliner and upholstery.
Collection: Marco Zanuso
Brand: Cassina
Specifications:
An armchair with a striking, rigorous design, the outcome of research by Marco Zanuso on how to anchor a seat on a wood frame. Zanuso started work on this chair with his entry in an international design competition organised by the Museum of Modern Art in New York in 1949. He returned to it in 1964, harnessing Arflex’s advanced technology. The wood frame is based on the geometry of the circle, which provides the chair's elegant formal aesthetic. Available in an iconic edition with a clear- varnished walnut frame, with the back panel in beige saddle leather, and the cushions in tobacco coloured leather.
Collection: Charlotte Perriand
Brand: Cassina
Specifications:
Charlotte Perriand designed Ombra in 1953, taking as her reference her Ombra Tokyo, which was created round about the same time and featured curved plywood. The interplay between the object and its shadow (“ombra” in Italian) expresses Perriand’s aesthetic, where function is maximised while structure is minimised to conjure a design that is both highly inventive and exquisitely elegant. The strict geometric lines of the seat and back-rest slot perfectly one into the other, making them look as if they are one, continuous, piece. Perriand’s minimalist approach and artistic vigour are manifest in her drive for total comfort, in a piece that has been re-issued by Cassina in full respect of the original concept.
Collection: Toshiyuki Kita
Brand: Cassina
Specifications:
Ergonomically correct and exquisitely versatile, Cassina’s Wink armchair cleverly unfolds into a chaise-longue. “Sitting on Wink means sitting on the floor and, when you are seated there, according to oriental tradition, your spirit rises,” explains designer Toshiyuki Kita. Its proportions of-the- moment, Wink has a multi-functional mission with a pop look, and can be personalised in either leather, or in an ample array of fabrics and colours, with more added regularly. The back, and head-rest can be adjusted by means of the handles on the side, these being available in a range of shades to match the front and back legs.
Collection: Ico Parisi
Brand: Cassina
Specifications:
Designed by Ico Parisi in 1960 for Cassina, at that time “Figli di Amedeo Cassina”, the 875 is a welcoming and elegant armchair. The author’s typical experimentation has led to a project that is both classic and modern at the same time. Its proportions, with its large seat and comfortable armrests, outline its solemn profile, while the original arched steel supports in different finishes - to which its shell is bound - and the contrast of different ma-terials make it eclectic, innovative and functional in any room of the house. The structure of the armchair, initially padded with foam rubber cut into sharp edges, has now been re-issued with polyurethane foam padding to maintain its linear shape. Both the seat and backrest are upholstered in fabric from the Cassina collections, as are the removable cushions.
Collection: Mario Bellini
Brand: Cassina
Specifications:
Roomy and inviting, Cab Lounge is a restatement of the Cab chair concept. Nothing short of a masterpiece of craftsmanship, the Cab Lounge armchair is perfectly suited to both residential or contract use. The leather upholstery fits the tubular steel frame like an exquisitely tailored garment, complementing the curves, in a perfect symbiosis between the structural and the organic. The eleven leather sections, hand-stitched and fitted with four zipper closures, undergo fourteen hand-executed processes before they are complete. Fitted with a reclining mechanism, the five-spoke base sets off the entire chair, while the ergonomically correct design renders it extraordinarily comfortable; the care taken in the details is without equal.
Collection: Toshiyuki Kita
Brand: Cassina
Specifications:
An armchair that anticipates modern times: flexible, transformable and suitable for different needs. The swivel seat on a fixed base is characterized by multiple inclinations until it extends almost completely to be used as a bed. Personalized with a fixed cover in leather or fabric, it is completed with any fabric cushions that enhance the feeling of comfort and softness.
Collection: Hommage À Pierre Jeanneret
Brand: Cassina
Specifications:
Cassina continues its study of the furniture of the city of Chandigarh and adds the Kanga-roo low armchair to the Hommage à Pierre Jeanneret Collection; a collection that stands out for its essential forms and simple materials, a balance between modern European ide-als and traditional Indian spirit. This low chair, made for the city’s General Hospital Hall but also present in many private houses, is characterised by the "Z" shape of its sides, made up of a sequence of three vaguely triangular coplanar elements placed in continuity. The seat and backrest feature typical weaving inside the wooden frame, for which, in addition to the historic teak version, the Cassina Research and Development Centre offers two fur-ther variants, in natural oak and stained black oak, produced in the company’s historic car-pentry workshop. An optional cushion is available for added protection and comfort.
Collection: Toshiyuki Kita
Brand: Cassina
Specifications:
A design that responds to the needs of modern-day society and the rhythms of life in the era of the home office, where the technology is “always on”, as much in the home as it is in the work space. The objective was to create a mobile sitting-room in the form of a comfortable and dynamic armchair that could swivel through 360 degrees, while also being comfortable. Suited to many contexts, including the “soft contract” setting, this chair is also available with an arm-rest on either side, one of which can serve as a head-rest. Available in either leather or fabric covers, as well on castors.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
A timeless style that has written its own chapter in design history, becoming an icon of global fame. Designed for ease of conversation, the armchair was exhibited at the Salon d’Automne [Autumn Salon] in Paris in 1929 as the archetype of the modern concept of furnishings, interpreted by its authors as “household equipment”. The separation between the metal structure and the cushions is consistent with the principles of Rationalism, just as the separation between the parts is based on an industrial approach to production, reminiscent of the architectural relationship between the loadbearing structure and the in-fill elements. These models are also available in an eco-friendly version that stays true to the original design. Thanks to the study conducted by Cassina LAB, a partnership between the Cassina Research and Development Center and the Poli.design consortium of the Politecnico University in Milan, the foam-fill parts, the padding in the cushions and the tubular structure are produced with sustainable materials and processes.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
With the various models of Fauteuil Grand Confort, grand modèle, the concept of modernity is expressed through the separation between the metal support frame and the upholstered elements. The loose cushions are set inside a painted or chrome-plated tubular steel cage that forms the primary support for the piece in all its variations ‒ from the armchair with armrest on one or both sides, to the two- and three-seat sofas. Over the years, Cassina has worked very closely with Charlotte Perriand, her daughter Pernette and the Fondation Le Corbusier to introduce new versions and finishes that, while reinterpreting the original design, remain faithful to its authentic nature. These models are also available in an eco-friendly version. Thanks to a study conducted by Cassina LAB, a partnership between the Cassina Research and Development Center and the Poli.design consortium of the Politecnico University in Milan, the foam-fill parts, the padding in the cushions and the tubular structure are produced with sustainable materials and processes.
Collection: Marco Zanuso
Brand: Cassina
Specifications:
An icon of 1950s’ Italian Design, the armchair-sofa Lady stands out for its extraordinarily contemporary construction, a symbol of innovation supreme, in terms of style, materials, and technology. In addition to being the first armchair to incorporate expanded polyurethane and foam rubber, the armchair’s seat showcased a new system of springing, using reinforced elastic straps to ensure premier comfort; meanwhile the slender, slim-line metal legs showcase the design’s lightness of touch. The structure is contained in the seat, the back, and the arms, the outcome being a veritable masterpiece of Italian furniture design excellence; so much so that Lady was awarded the Gold Medal at the IX Milan Triennale, in 1951. Cassina’s new re-edition focuses on the looks of the Lady chair, adding a delightful range of new fabric options, including a number by Belgian designer Raf Simons.
Collection: Charlotte Perriand
Brand: Cassina
Specifications:
It is through this veritable piece of design history that Cassina expresses its exceptional wood-working mastery. Designed, but not realised, in 1940, by Charlotte Perriand during her time in Tokyo, this chair uses bamboo to revisit the famous LC4 chaise-longue. Its organic form, curvy and inviting, has been re-issued and is now available in teak, and well as bamboo wood. The seat of this recliner is made of twelve curved strips of wood while the joining elements are satin-finish brass studs. Adding mattresses for outdoor use provides dashes of colour to help furnish a veranda, terrace, or any other kind of outdoor space.
Collection: Franco Albini
Brand: Cassina
Specifications:
In 1952, working with Franca Helg, his long-time assistant, Franco Albini designed Tre Pezzi, a contemporary restatement of the classic bergère chair. The chair is composed of a deep curved seat, a ring-shaped back rest and a half-moon head-rest, each of these geometric shapes standing out independently. Wide and welcoming, the upholstered sections combine clean-cut lines with total comfort. The tubular metal frame is cued on scaffolding poles, while the sideways curve of the armrests recalls the handrails on the Milan underground system, which were also the work of Albini and Helg. The outcome is an up-to-the-minute armchair with a strong visual impact revisited by Cassina in the utmost respect for the original.
Collection: Patricia Urquiola
Brand: Cassina
Specifications:
This comfy armchair has the same distinctive aesthetics as the Back-Wing chair designed in 2018. The armchair’s frame, available in six colours, is composed of large solid wood sections which highlight Cassina’s expertise in wood craftsmanship. Like the Back-Wing chair, its ergonomic and enveloping backrest wraps elegantly around the body while the folds on the sides, like small wings, act as armrests, making it particularly comfortable to sink into and with generous proportions. The armchair, with Seat in flexible polyurethane foam and upholstered in both leather and fabric from the Cassina Collections, is elegantly completed with piping that neatly traces and defines the profile of the armchair’s backrest.
Collection: Michael Anastassiades
Brand: Cassina
Specifications:
Inspiration: the precise, flawless, elegant movements of figure skating. Form: an oxymoron of materials and thicknesses. Flutz is the perfect fusion of a rigid, geometric structure and soft, inviting seating. In this, the second project by Michael Anastassiades for Cassina, the armrests of the chair are made up of two thin parallel aluminium sheets, connected by crosspieces upon which sits an invisible plate that serves to stabilize the base and to support the seat which, thus, appears to be suspended. Upholstered in removable leather or fabric, the chair ensures sturdy yet comfortable support, thanks to the shell wrapped in soft padding and encased in recycled PET batting. Based on the work carried out by Cassina LAB, with an eye to circularity, the various parts were designed to be disassembled and recycled at the end of the chair’s life cycle. This includes the upholstery, which can be separated from the encased padding thanks to an internal zipper, and the metal structure with matte finish, available in three dramatic colours: aluminium with powder-coat finish in anthracite or black, or natural anodised. Comfortable and elegant, Flutz pairs perfectly with the Ordinal table, also by the Cyprian designer, rounding out his line of dining products.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
This version of the armchair was designed in 1928 for the Villa Church at Ville-d’Avray. Its padded and upholstered seat and backrest were fashioned to meet the customer’s demand for extreme comfort. A similar padded and upholstered model was also crafted in 1928 for the art gallery of collector Raoul La Roche.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
This version of the Fauteuil à dossier basculant debuted at the first French Union of Modern Artists exhibition in 1930 and demonstrated how the furniture, displayed the previous year at the Salon d’Automne [Autumn Salon], could be produced with a greater variety of upholstery options. In this case, a saddlery detail that in the 1930s had already inspired many high-fashion collections.
Collection: Charles Rennie Mackintosh
Brand: Cassina
Specifications:
This throne-like armchair is a new iteration of the model that CRM donated, in 1904, to the “Willow Tea Rooms” in Glasgow, his native city. The tall semi- circular back served to separate the entrance area from the tea-room behind it. The back encompasses the seat, illustrating to perfection Mackintosh’s geometric and Art Nouveau style. For Cassina, creating this chair meant marrying advanced technology and the company’s premier carpentry skills. The latter can be seen in the precision needed to assemble the components that make up the elegant, light-weight latticed frame.
Collection: Charlotte Perriand
Brand: Cassina
Specifications:
The Doron Hotel armchair was designed in 1947 by Charlotte Perriand, a real mountain lover, for the winter sports resort of Méribel Les Allues and for Hôtel Doron, one of the first chalet-hotels, in the same location. The French designer always had a special and profound relationship with nature; in fact, she was one of the first to explore the relationship between man and his surrounding environment, seeking natural materials to use in her projects. Comfortable, textural and pleasant to the touch, the Doron Hotel armchair, already available for interiors, now comes in a solid teak outdoor version with soft and simple lines. The seat is padded with polyurethane foam covered with waterproof cloth. It can be paired with Charlotte Perriand's Table à Plateau Interchangeable.
Collection: Hommage À Pierre Jeanneret
Brand: Cassina
Specifications:
This chair is one of the most recognisable in Chandigarh’s Capitol Complex, found throughout the offices of the Secretariat. The independent pieces, including the side bars in an inverted “V” supporting the armrests, are all made of solid wood. The woven backrest and seat, stretched across a wooden frame, are elements common in the area, much like the use of local woods like teak. Similar to the better-known office chair, this armless chair also uses the “V” approach to sidebars, in this case shorter as they do not extend to the arms. Importance, instead, is given to the seating/ backrest sequence in Viennese woven cane, connected with an immense geometric section supported by two wooden profiles, and coplanar legs, that together, are simple and yet, powerful at the same time. Cassina’s reissue offers the classic version in teak, and two versions in natural and stained black oak.
Collection: Mario Bellini
Brand: Cassina
Specifications:
An armchair, a dining chair and a sofa, of a simple style, familiar and authentic, created thanks to the extraordinary crafts skills proprietary to Cassina. The initial design, Le Tentazioni, dates from 1973, the objective being to find an alternative to traditional armchairs with their rigid seats and vertical lines. In the original design, the upholstery not only serves as a cover for the frame within, but also an expression of the inter-dependent relationship between it and the frame. This dictates the way the fabric falls, and how the fabric will cover it. In the intervening years, the constant evolution of constructional techniques has enabled Cassina to upgrade the design, the latest iterations being the 684 and 685, which are more comfortable than ever, while remaining just as visually impactful design-wise.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
An icon with an aptitude for versatility and functionality designed in 1927 by Charlotte Perriand for her Paris atelier in Place Saint-Sulpice. The design was first exhibited at the Salon des Artistes Décorateurs [Decorative Artists Show] in 1928 and then at the Salon d'Automne [Autumn Salon] in 1929, and is now part of the Le Corbusier®, Pierre Jeanneret®, Charlotte Perriand® Collection. The swivel armchair features backrest and seat cushion padded in polyurethane foam and polyester batting, with fabric upholstery. The outdoor version is made of stainless steel with special textured powder-coat finish specifically for outdoor use, in five colours, and outdoor polyester fabric upholstery that echoes the same aesthetics as the indoor models. Since 2016, the armchair has undergone a major structural update that led to its being awarded Catas certifications.
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Based on 25 reviews
5 months ago
I have exclusively worked with Lineaselect for my house renovation project. I have bought ceramic tiles and other bathroom fittings from them at a very good price. As with any house renovation project, the choice of good material makes all the difference. I started communicating with Jaunius with a simple price offer which evolved into more like continuous communication on range of different products.
He was always very responsive and precise with the information and his brand knowledge is impressive. From the selection to delivery, the whole process was super smooth and transparent. I was a bit unsure about damages during the shipping, however, my order arrived without a single damaged item. Asite from Lineaselect handled the ordering and delivery process very professionally and she was always quick with updating me about the order and delivery status.
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a year ago
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6 months ago
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4 months ago
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a year ago
I ordered tiles from this company, and I must say, their delivery service wasexceptional. The tiles were delivered promptly and in perfect condition. The packaging was secure, ensuring that the tiles remained intact during transit.