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Cassina
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Collection: Philippe Starck
Brand: Cassina
Specifications:
The Caprice/Passion collection of chairs has now been extended by the addition of two new stools. These are characterised by an aluminium stem base, while the seat reflects the features of the Caprice chair and the Passion armchair, respectively. Swivelling through 360 degrees, the seats of these stools always align with the chrome-finished foot-rest. Available in two height options, these stools play their part in enhancing Cassina's reputation for iconic and timeless pieces, in the business sphere in general, and in the design of home-based work spaces in particular.
Collection: Kazuhide Takahama
Brand: Cassina
Specifications:
A chair, as well as a chair with arms, both stackable, their frames constructed from chrome-finished induction-welded bent metal rod. The chair features completely removable covers, either in fabric or leather, the version with arms being available in a matte acrylic finish, with the arms in dark iroko wood. Lijn is a derivation of Jano and has elegant padded arms that add distinction to this comfortable small chair with arms, which also has sled legs. armchair Both of these designs mark a progression in Kazuhide Takahama’s thinking and exploration that began with the Tulu chair. This chair has now been completely redeveloped and further improved by reinforcing the seat with a thermoformed seat and backrest with elastic straps, as well as inserting a wadding cover and zip that allows the upholstery to be removed. New frame finishes are also available.
Collection: Charlotte Perriand
Brand: Cassina
Specifications:
Authenticity and avant-garde characterise Charlotte Perriand’s Nuage shelving unit from 1940. Drawing on her experience of seeing cloud-like wall-hung modular shelves in Kyoto, she developed her own version: functional, attractive and versatile. These units can be combined with others so they can serve myriad purposes in myriad settings, creating new combinations: from sideboards to cupboards, from book-shelves against a wall or wall-hung, to free-standing units that can serve as room dividers. Meanwhile, the cabinets, which are available in anodised aluminium in a wide array of colours, interact with the open shelves in a delightful interplay of volumes and voids.
Collection: Carlo Scarpa
Brand: Cassina
Specifications:
Realised in the 1970s, by Carlo Scarpa for his own home, this bookcase was later reworked at the request of Dino Gavina to make it suitable for industrial manufacture. The individual units are linked by a spacer insert. This has become the iconic feature of the design. Almost as distinctive is the central block, which is composed of shelves or small drawers, featuring a matte finish. The units are available in veneered ashwood in a natural or black-stain; alternatively, in lacquered matte black․
Collection: Ico Parisi
Brand: Cassina
Specifications:
The idea for this console table, designed by Ico Parisi in 1947 for a private client, stemmed from a few lines drawn on a sheet of paper: a horizontal line and two oblique lines to define a structure with almost perfect proportions and an organic appearance. Cassina has respected and enhanced the heart of this project by combining technology with craftsmanship, typical of the company's carpentry workshop; the result is a refined solid wood console table embellished with metal details that adapts to all rooms in the home. Its rectangular plane has four straight notched recesses on the two longest sides, near the extremities, within which, like real joints, the tips of the characteristic divergent "Y" shape upper arms of the legs, available in ash or Canaletto walnut, are screwed and bound two by two to a shaped crossbar. Balance and strength are guaranteed by two oblique turned solid wood elements, joined diagonally to the crossbar and embedded in the structure below.
Collection: Piero Lissoni
Brand: Cassina
Specifications:
Created by Piero Lissoni, these cylindrical and modular tables have been designed for the corporate or hospitality environments. Available in either standard or coffee-table heights, with round tops in various size options, these accessories evince a soft-spoken elegance, and come in a range of materials that chime beautifully with the finishes available on Cassina’s other pieces. The simple lines, appropriate to many settings, are set off by the quality of the materials used. These include solid ashwood, and four types of marble. The glass tops, meanwhile, also come in numerous colour options.
Collection: Cassina
Brand: Cassina
Specifications:
Cassina’s product range for furnishing open air living and dining spaces is completed by its outdoor accessories. The centrepiece tray is inspired by the shapes and vibrant colours of the wicker baskets made by African craftsmen but created using innovative materials and techniques. The hi-tech polypropylene yarn, hand woven and sewn, guarantees the UV stability of the colours, versatility and resistance; it is also respectful of human health and, being 100% recyclable with low environmental impact, eco-friendly. Available in a single round size, in blue/light blue and olive green/burgundy.
Collection: Piero Lissoni
Brand: Cassina
Specifications:
Simple and flexible volumes, minimal and versatile, designed to adapt to many contexts, thanks to the many elements and configurations available. Mex Cube is an idea that became a design, a dynamic and creative system, open to multiple interpretations and addressing multiple requirements, while being easy to assemble and arrange at will. These independent cubes, available in two widths, backs and arms optional, can be configured as corner units, in linear form, as an island, or in a face-to-face layout. Characterised by extremely comfortable padding, with easy-to-remove covers in leather or fabric, the outcome being a harmonious picture of variations on a theme, where each shape has been designed to enhance everyday activities and the rhythm of conversation.
Collection: Patricia Urquiola
Brand: Cassina
Specifications:
An inventive modular sofa, with soft, inviting curves that bespeak comfort to the max and extreme versatility. The rounded arm-rests curve to meet the back, the shape expressing the crafts excellence synonymous with Cassina’s crafts expertise, more evidence of which can be seen in the upholstery edge-stitching that delineates the lines of the various elements. The sofa is composed of single units that have been conceived as if they were tiny sculptures, so they work equally well as part of a team or as stand-alones. The metal frame is upholstered in injected expanded polyurethane foam, with Dacron covers, to provide a generous and comfortable seat. The 1970s’ inspiration comes through also in the low tables that reflect the sofa’s soft profile, the painted frame meeting the elegant material quality of the wooden table-top. Designed to work together, one over the other, or abutting each other, these tables can be used to break up the lines of the sofa, but are equally at home as stand-alone coffee tables.
Collection: Paolo Deganello
Brand: Cassina
Specifications:
The AEO chair was the last product from the Archizoom group, and was designed by Paolo Deganello in 1973 as an unconventional interpretation of a contemporary armchair. Using experimental materials, the piece was originally available for self-assembly. A wide array of upholstery options were on offer, which enhanced the chair’s potential for personalisation. The quintessence of functionality and versatility, AEO is thus typical of a Cassina piece, since it can be taken apart and washed, while being light and comfortable, the perfect partner for any space and style.
Collection: Gerrit Thomas Rietveld
Brand: Cassina
Specifications:
The Black Red and Blue (Zeilmaker version) born from Rietveld’s chromatic experimentation. While researching the origins of the Red and Blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organisation expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood. In the following years Rietveld proposed various examples, either monochrome or painted in different colours, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest. It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colours on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed Slat chair, Rietveld only gave it the name Red and Blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract- realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the Black Red and Blue today.
Collection: Vico Magistretti
Brand: Cassina
Specifications:
Maralunga is an emblematic armchair of the iContemporanei collection by Cassina, the work of architect and industrial designer Vico Magistretti. Winner of the Compasso d’Oro in 1979, Maralunga is the embodiment of the very idea of comfort, with an adjustable headrest for a high or low backrest version obtained by inserting a simple bicycle chain inside the foam of the backrest. The model comes as an armchair, two- or three-seater sofas in diff erent widths, and pouf. To mark its 40th anniversary, Cassina presents a new interpretation with fabric or leather upholstery and distinctive profi le stitching, to make it even more modern and contemporary, also available with removable cover.
Collection: Hommage À Pierre Jeanneret
Brand: Cassina
Specifications:
Included in Unesco's 2016 Cultural Heritage list, the extraordinary architecture of Le Corbusier’s Capitol Complex, designed by Chandigarh in 1951, has received accolades for its celebration of an independent nation open to modernity. The Haute Cour, along with the Secretariat and the Assemblée wing, make up the core of Chandigarh’s Capitol Complex. The rooms were filled with overstuffed armchairs, all exhibiting the same “V” support structure theme. The only exposed wooden parts are the rests, connecting crossbars, and the external joints between the arms and the backrest. The armrests’ padding almost completely envelops them, creating the outline of a rounded, geometric shape, that along with the distinct seat and back cushioning, offer an immediate sense of comfort without abandoning their elegance and simplicity. Cassina’s reissue offers the classic version in teak, and two versions in natural and stained black oak.
Collection: Charlotte Perriand
Brand: Cassina
Specifications:
Charlotte Perriand designed Ombra in 1953, taking as her reference her Ombra Tokyo, which was created round about the same time and featured curved plywood. The interplay between the object and its shadow (“ombra” in Italian) expresses Perriand’s aesthetic, where function is maximised while structure is minimised to conjure a design that is both highly inventive and exquisitely elegant. The strict geometric lines of the seat and back-rest slot perfectly one into the other, making them look as if they are one, continuous, piece. Perriand’s minimalist approach and artistic vigour are manifest in her drive for total comfort, in a piece that has been re-issued by Cassina in full respect of the original concept.
Collection: Mario Bellini
Brand: Cassina
Specifications:
Roomy and inviting, Cab Lounge is a restatement of the Cab chair concept. Nothing short of a masterpiece of craftsmanship, the Cab Lounge armchair is perfectly suited to both residential or contract use. The leather upholstery fits the tubular steel frame like an exquisitely tailored garment, complementing the curves, in a perfect symbiosis between the structural and the organic. The eleven leather sections, hand-stitched and fitted with four zipper closures, undergo fourteen hand-executed processes before they are complete. Fitted with a reclining mechanism, the five-spoke base sets off the entire chair, while the ergonomically correct design renders it extraordinarily comfortable; the care taken in the details is without equal.
Collection: Marco Zanuso
Brand: Cassina
Specifications:
An icon of 1950s’ Italian Design, the armchair-sofa Lady stands out for its extraordinarily contemporary construction, a symbol of innovation supreme, in terms of style, materials, and technology. In addition to being the first armchair to incorporate expanded polyurethane and foam rubber, the armchair’s seat showcased a new system of springing, using reinforced elastic straps to ensure premier comfort; meanwhile the slender, slim-line metal legs showcase the design’s lightness of touch. The structure is contained in the seat, the back, and the arms, the outcome being a veritable masterpiece of Italian furniture design excellence; so much so that Lady was awarded the Gold Medal at the IX Milan Triennale, in 1951. Cassina’s new re-edition focuses on the looks of the Lady chair, adding a delightful range of new fabric options, including a number by Belgian designer Raf Simons.
Collection: Charles Rennie Mackintosh
Brand: Cassina
Specifications:
This throne-like armchair is a new iteration of the model that CRM donated, in 1904, to the “Willow Tea Rooms” in Glasgow, his native city. The tall semi- circular back served to separate the entrance area from the tea-room behind it. The back encompasses the seat, illustrating to perfection Mackintosh’s geometric and Art Nouveau style. For Cassina, creating this chair meant marrying advanced technology and the company’s premier carpentry skills. The latter can be seen in the precision needed to assemble the components that make up the elegant, light-weight latticed frame.
Collection: Charlotte Perriand
Brand: Cassina
Specifications:
This swivel armchair is a re-working of the LC7, whose frame was in tubular metal, and was the work of Charlotte Perriand in 1927. It was later exhibited along with other furniture that Perriand co-designed with Le Corbusier and Pierre Jeanneret for the 1929 Salon d’Automne in Paris. The original design was executed in Vietnam in 1943, using the materials and crafts techniques available during that war-time period. The first model had three legs, with a fourth added later. This piece reflects the designer’s flexible and resourceful approach: she often adapted her designs according to the availability of materials and where production was to take place. Cassina has re-issued Indochine in the full respect of the original design, interpreting it, and incorporating a solid wood base that highlights the excellence of the company craftsmen’s wood-working skills.
Collection: Franco Albini
Brand: Cassina
Specifications:
The Infinito bookcase, designed in 1956/7 by Franco Albini, has expanded to include a new fixed to the wall version with a different and more stable floor support. This model was developed - in constant collaboration with the Maestro’s heirs - taking as its main reference a project designed by Albini himself together with Franca Helg in 1958, now on show at the Albini Foundation headquarters, together with drawings made for its reissue by the company Poggi. Infinito Wall is an even more contemporary and functional bookcase: thanks to the insertion of a low upright it is possible to add a dedicated storage unit with doors to create a compartment above that can hold a TV screen up to 65" with a 165cm shelf above it. The new cupboard can be equipped for the passage of cables, maintaining visual order and lightness; the doors are also available in smoked glass for the bookcase in stained black ash. With the introduction of these new modules, the hinges have also been updated to allow door adjustment and cushioned closure.
Collection: Rodolfo Dordoni
Brand: Cassina
Specifications:
A fresh new design by Rodolfo Dordoni adds to the Cassina dining collection: the Longplane extendable table. Distinguished by a graphic design and striking aesthetic balance formed by crisp lines and precise proportions, its long, lean shape incorporates Cassina’s trademark fine artisan joinery skills, apparent in the joint between the legs and the massive horizontal beam. The solid wood structure, available in Canaletto walnut and natural oak, stained black or amaranth colour, effortlessly supports the ample, thin table top. Longplane adds a touch of refinement to the home, leaving room for various types of decor interpretations. Available in three different sizes, the top of the stationary version can be paired with wood legs for an all-wood look, or in an ample array of types of marble, or in the most refined metal embellished with a striated effect. In the extendable version with wood or metal top, the extensions match the finish of the wood structure; a true fusion of elegance, flexibility and functionality.
Collection: Franco Albini
Brand: Cassina
Specifications:
Franco Albini designed this table using the strut element that he had already employed in the design of the Veliero and Infinito bookshelves. In this instance, the legs serve as the vertical elements, solid, turned along their entire surface except for the square section onto which the horizontal table- top is installed. The upturned wooden cones that surmount each leg act as spacers between the cross-beams of the frame and the table-top which, given how light it looks, almost seems to hang suspended in mid-air. The connection between the legs and the cross-pieces is highlighted by visible screws. These remind us that the TL3 table can be disassembled. Cassina’s revisitation of this table, effected in collaboration with the Fondazione Albini, is based on archive drawings and includes the use of a glass table-top so that the impeccable carpentry details can be seen more clearly.
Collection: Charlotte Perriand
Brand: Cassina
Specifications:
The respective Mexique table is included as one of the tables en forme libre created between 1938 and 1939, the final design was developed in 1952 for the students’ rooms of the Maison du Mexique at the Cité Universitaire Internationale in Paris. With a frame designed to be as compact as possible, the tables could be juxtaposed to create larger, symmetrical units. In 1952, the wooden legs were replaced by triangular-section bent metal. In 1956, the low-level version was created for the Galerie Steph Simon in Paris. The generous depth of the wooden table-top, available in solid wood, as well as with a gloss or matte finish, resonates with rare beauty. Meanwhile, form follows function in the edges form, reflecting the size of the human hand. In 2018, two new dining table variants of the Mexique are being launched, designed to accommodate between five and six guests. In addition, a number of new finishes enhance further the potential for these tables to work together and serve new purposes.
Collection: Luca Nichetto
Brand: Cassina
Specifications:
Elegance and versatility are the key words describing this collection. Regularly revisited over the years, these low tables slip under or over each other, working hard to fulfil their function. Clearly informed by a Japanese aesthetic, as evidenced by the round, square, and rectangular shapes, the table-tops are supplied in natural ashwood, as well as in three types of marble: white Carrara, black Marquiña or grey Carnico. Available in various heights and shapes, the Torei tables work together in myriad ways to construct architecturally inspired surface areas, designed to encourage hospitality and sharing.
Collection: Charlotte Perriand
Brand: Cassina
Specifications:
Both pieces are inspired by the mountains. While the latter takes its name from the milking-stool used by alpine shepherds, the former is inspired by the French locality much loved by designer and architect Charlotte Perriand. These furnishing accessories stand out for the honesty of their simple shapes and for the concrete expression of their materials and function. The turned seat meets the stylised legs both in the Tabouret Berger, a lower version with three legs in hand-turned solid wood, and in the taller Tabouret Méribel, which has three angular legs. Produced by Cassina thanks to a meticulous work of craftsmanship that respects the authenticity of the original design, these small masterpieces can be used on their own or in creative compositions. The use of solid wood communicates a pleasant sense of softness, and we see the continuity of the grain right the way across the seat to the borders, nature creating a unique pattern on each.
Collection: Le Corbusier, Charlotte Perriand
Brand: Cassina
Specifications:
An entire room for sale, a faithful reproduction of a student room in the Maison du Brésil, inaugurated in 1959 at the Cité Internationale of the University of Paris. In the early 1950s, the Brazilian government commissioned the design from the architect Lucio Costa, who in turn brought Le Corbusier on board, over time handing over more responsibility, to the point that the latter eventually signed off the building design. Le Corbusier’s office revised a number of key elements, and then brought in Charlotte Perriand to help with the interiors. The way Le Corbusier saw it, the wardrobe would separate the entrance hall and the bathroom block from the bedroom and study areas. Charlotte Perriand, on the other hand, took a more rationalist view, favouring the idea of having the wardrobe accessible from more than one side. For the bed frame, solid wood was preferred to metal, with a mattress and bolster. The apartment also included a wall-hung bookcase and blackboard, as well as the Tabouret Maison du Bresil, already available in Cassina Collection.
Collection: Philippe Starck
Brand: Cassina
Specifications:
Defined by Philippe Starck as "a lifestyle collection of relaxed elegance", Fenc-e Nature sees the designer continue on his joint mission with Cassina to revolutionise our concept of the classic sofa, using high-quality cutting-edge materials that respect the environment. The armchair has organic forms - like the die-cast aluminium base - and textural elements that celebrate its affinity with the environment, like the natural-looking solid teak armrest with sanded finish. The backrest, with frame in painted AISI 304 stainless steel, is available in hand-woven rope with an exclusive design or in natural untreated willow, used here for the first time. The outstanding comfort of the armchair is guaranteed by the generous seat and backrest cushions with padding in SoloSoff(C), a blown polyester fibre and memory foam-based product, and the reclining backrest that can be set in two different positions thanks to a manual mechanism inspired by Asian architecture: a supporting rod in solid teak, processed to look like a branch, held in place by two wooden nails. The collection is completed by a two- and three-seater sofa and a side table in two different heights.
Collection: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Brand: Cassina
Specifications:
An icon with an aptitude for versatility and functionality designed in 1927 by Charlotte Perriand for her Paris atelier in Place Saint-Sulpice. The design was first exhibited at the Salon des Artistes Décorateurs [Decorative Artists Show] in 1928 and then at the Salon d'Automne [Autumn Salon] in 1929, and is now part of the Le Corbusier®, Pierre Jeanneret®, Charlotte Perriand® Collection. The swivel armchair features backrest and seat cushion padded in polyurethane foam and polyester batting, with fabric upholstery. The outdoor version is made of stainless steel with special textured powder-coat finish specifically for outdoor use, in five colours, and outdoor polyester fabric upholstery that echoes the same aesthetics as the indoor models. Since 2016, the armchair has undergone a major structural update that led to its being awarded Catas certifications.
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a month ago
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a year ago
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11 months ago
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